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Buxtehude & Co
Various composers

Caecilia-Concert

Buxtehude & Co

Price: € 12.95
Format: CD
Label: Challenge Classics
UPC: 0608917217926
Catnr: CC 72179
Release date: 04 June 2007
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€ 12.95
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Label
Challenge Classics
UPC
0608917217926
Catalogue number
CC 72179
Release date
04 June 2007
Album
Artist(s)
Composer(s)
EN
NL
DE

About the album

This CD gives a glimpse into the rich musical world of Dieterich Buxtehude and his contemporaries. These composers were active as Kapellmeisters and wrote music specifically to be performed during the concerts known as Abendmusiken or for various Collegia Musica. They were also associated with the Hamburg or North German School of the seventeenth century.

Originally established to entertain businessmen who assembled in the Marienkirche in Lübeck to await the opening of the stock exchange at noon on Thursdays, and most readily associated with the name of Buxtehude, the concerts known as Abendmusiken most probably began as organ recitals during the tenure of Buxtehude's predecessor Franz Tunder (1614-1667). Buxtehude's legacy was the addition of an orchestra and choir and a rescheduling of the concerts from during the week, to five concerts on the Sundays between Martinmas (November twelfth) and Christmas, from 4:00 pm until 6:00 pm.

The Collegium Musicum was a musical association or society that was devoted to the playing and enjoyment of instrumental and vocal music.

Such organizations were largely comprised of members from the upper echelons of society for example, doctors, lawyers, well-to-do merchants or members of local government who would meet at some central place or in their homes. Music was made either by the members themselves or by the local Kantor or the town musicians.
Het Caecilia-Concert speelt de Abendmusiken van Dieterich Buxtehude en zijn tijdgenoten
Dit album geeft een kijkje in de rijke muzikale wereld van Dieterich Buxtehude en zijn tijdgenoten. In de barokperiode in de 17e eeuw componeerden zij speciale concerten voor de notabelen, de Abendmusiken. Het Caecilia-Concert is een internationaal ensemble, opgericht in 2001 door 4 jonge musici. Hun doel: de muziek uit de vroege barokperiode zo authentiek mogelijk uit te voeren. En met deze uiltvoering zijn ze die uitdaging zeker aangegaan. Zij realiseerden een schitterende opname, die de sfeer van de Abendmusiken waarschijnlijk (want terug in de tijd kan niet) perfect weergeeft!

Het vermaken van de elite, dat was de bedoeling van de Abendmusiken. Ze worden geassocieerd met de naam Dieterich Buxtehude, maar ook collega-componisten uit de Noord-Duitse School behoorden tot deze muzikale ‘clan’. Ze componeerden voor deze speciale gelegenheidsconcerten waar menig dokter, advocaat, goed boerende koopman en gemeentelijk politicus zich muzikaal vermaakte. Voor uitvoerende musici is deze muziek vooral veeleisend, zowel technisch als qua interpretatie, door het grote toonbereik van de instrumenten én de uitdagingen qua stemming.

Dieterich Buxtehude was een Deense-Duitse organist en componist uit de barokperiode. Zijn orgelwerken vormen een belangrijk deel van het standaard repertoire voor kerkdiensten en orgelconcerten. Zijn stijl heeft veel componisten beïnvloed, waaronder Johann Sebastian Bach. Door velen wordt Buxtehude gezien als de belangrijkste componist tussen Heinrich Schütz en Bach.
Diese Sammlung möchte mit dem musikalischen Reichtum von Dieterich Buxtehude und seinen Zeitgenossen bekannt machen, die allesamt als Kapellmeister für die Lübecker Abendmusiken komponierten. Das Ensemble "Caecilia-Consort" interpretiert diese bunt instrumentierten Stücke mit großer Spielfreude und Präzision. Zwei Mitglieder gehören zum festen Stamm des Amsterdam Baroque Orchestra unter Ton Koopman.

Artist(s)

Caecilia Concert

The Caecilia-Concert is a versatile international ensemble specialising in performance and research of 17th century music. The group was formed in 2001 by four young instrumentalists working at the forefront of authentic performance practice in Europe and has a distinct, unique sound and a range of virtuosic and expressive capabilities not often associated with such instruments or repertoire. Since its formation, Caecilia-Concert has given highly acclaimed concerts at festivals in France, Switzerland, Austria, The Netherlands and the UK. They can be frequently heard on radio stations across Europe and their concerts have been broadcast on  Austria ÖRF, Concertzender and NPS, as well and have appeared as featured artists on BBC Radio 3's 'The Early Music Show'. Adam Woolf studied historical trombone...
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The Caecilia-Concert is a versatile international ensemble specialising in performance and research of 17th century music. The group was formed in 2001 by four young instrumentalists working at the forefront of authentic performance practice in Europe and has a distinct, unique sound and a range of virtuosic and expressive capabilities not often associated with such instruments or repertoire. Since its formation, Caecilia-Concert has given highly acclaimed concerts at festivals in France, Switzerland, Austria, The Netherlands and the UK. They can be frequently heard on radio stations across Europe and their concerts have been broadcast on Austria ÖRF, Concertzender and NPS, as well and have appeared as featured artists on BBC Radio 3's 'The Early Music Show'.
Adam Woolf studied historical trombone at the Royal Academy of Music in London, graduating in 1997. During this time he became a founder member of the QuintEssential Sackbutt and Cornett Ensemble and began playing regularly with many other UK based ensembles. Principal trombone of Sir John Eliot Gardiner's English Baroque Soloists and elected Associate of the Royal Academy of Music.
Harpsichordist and fortepianist Kathryn Cok was born in the city of New York, USA. She now lives in The Hague, Holland, where she completed a Masters degree at the Royal Conservatory as a student of Ton Koopman and Tini Mathot on the harpsichord, and Bart van Oort on the fortepiano. She has worked with the Amsterdam Baroque Orchestra & Musica ad Rhenum.
Upon graduating from the Guildhall School of Music and Drama, Fiona Russell furthered her studies at the Schola Cantorum Basiliensi, Switzerland, and has since gone on to be one of the finest young cornetto players in Europe. She plays with The English Cornett and Sackbutt Ensemble and QuintEssential Sackbutt and Cornett Ensemble.
Wouter Verschuren graduated from the Royal Conservatory in The Hague. He studied recorder with Michael Barker and Jeanette van Wingerden, and baroque and classical bassoon with Donna Agrell. He is principal bassoonist of The Amsterdam Baroque Orchestra conducted by Ton Koopman.
Violinist Annabelle Ferdinand was born in Spijkenisse, The Netherlands. She studied violin at the conservatories of Amsterdam, The Hague and Sint Petersburg. After finishing her modern violin studies, she studied baroque violin at the Royal Conservatory, The Hague with Monica Huggett and Pavlo Beznosiuk. She regularly performs with Anima Eterna, the Nederlandse Bachvereniging, the Amsterdam Baroque Orchestra.

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Wouter Verschuren

Wouter Verschuren graduated from the Royal Conservatory in The Hague. He studied baroque and classical bassoon with Donna Agrell. Wouter is sought after in the Netherlands and abroad as a bassoonist, and is equally at home with repertoire ranging from the Renaissance to the Romantic. He is principal bassoonist of The Amsterdam Baroque Orchestra conducted by Ton Koopman, and regularly plays with other renowned period orchestras. In addition, he regularly appears as a soloist, and plays in numerous international chamber music ensembles such as Caecilia-Concert, specializing in performance and research of 17th century music, and can be heard on countless CDs. Wouter teaches at the Royal Conservatory in The Hague and at the Utrecht Conservatory.
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Wouter Verschuren graduated from the Royal Conservatory in The Hague. He studied baroque and classical bassoon with Donna Agrell. Wouter is sought after in the Netherlands and abroad as a bassoonist, and is equally at home with repertoire ranging from the Renaissance to the Romantic. He is principal bassoonist of The Amsterdam Baroque Orchestra conducted by Ton Koopman, and regularly plays with other renowned period orchestras. In addition, he regularly appears as a soloist, and plays in numerous international chamber music ensembles such as Caecilia-Concert, specializing in performance and research of 17th century music, and can be heard on countless CDs. Wouter teaches at the Royal Conservatory in The Hague and at the Utrecht Conservatory.

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Kathryn Cok

Kathryn Cok pursues a varied career as a harpsichordist, fortepianist and academic on both sides of the Atlantic. She is well sought after both as a soloist as well as a continuo player. Born in the city of New York, USA, Kathryn now lives in The Hague, Holland where she completed a Masters degree at the Royal Conservatory as a student of Ton Koopman and Tini Mathot on the harpsichord, and Bart van Oort on the fortepiano.   Kathryn recently won first prize in the first solo competition for baroque instruments in Brunnenthal, Austria. She works regularly as a soloist and continuo player with the Amsterdam Baroque Orchestra, and other important early music ensembles in Europe and performs regularly as...
more
Kathryn Cok pursues a varied career as a harpsichordist, fortepianist and academic on both sides of the Atlantic. She is well sought after both as a soloist as well as a continuo player. Born in the city of New York, USA, Kathryn now lives in The Hague, Holland where she completed a Masters degree at the Royal Conservatory as a student of Ton Koopman and Tini Mathot on the harpsichord, and Bart van Oort on the fortepiano. Kathryn recently won first prize in the first solo competition for baroque instruments in Brunnenthal, Austria. She works regularly as a soloist and continuo player with the Amsterdam Baroque Orchestra, and other important early music ensembles in Europe and performs regularly as a soloist in many of the world’s most renowned Early Music Festivals such as Oude Muziek, Utrecht, Brunnenthaler Concert Zomer, Bodensee Festival, and important keyboard collections in the UK such as the Cobbe Collection, Finchcock’s, Fenton House and the Gemeente Museum, Holland. She is co-founder of the Caecilia-Concert, a dynamic international group of instrumentalists specializing in performance and research of 17th century music for instruments and voices. Kathryn is busy as a researcher and teaches at the Royal Conservatory in The Hague, Holland.

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Composer(s)

Dieterich Buxtehude

Among the general public, Dieterich Buxtehude is mostly known due to the admiration Johann Sebastian Bach had for his organ and composing skills, for which Bach traveled to the North German city of Lübeck to stay with him for four months, no less. This says quite something about the quality of Buxtehude's performance, but even more so about the influence it had on Bach and all composers after him. Yet, nowadays Buxtehude's music does not need Bach to survive, as a matter of fact it is extraordinarily beautiful just by itself! Buxtehude was originally Danish, but he spent most of him life in Lübeck. His so-called 'Abendmusik', which was a series of evening concerts outside of the liturgy, grew famous. In...
more

Among the general public, Dieterich Buxtehude is mostly known due to the admiration Johann Sebastian Bach had for his organ and composing skills, for which Bach traveled to the North German city of Lübeck to stay with him for four months, no less. This says quite something about the quality of Buxtehude's performance, but even more so about the influence it had on Bach and all composers after him. Yet, nowadays Buxtehude's music does not need Bach to survive, as a matter of fact it is extraordinarily beautiful just by itself! Buxtehude was originally Danish, but he spent most of him life in Lübeck. His so-called 'Abendmusik', which was a series of evening concerts outside of the liturgy, grew famous. In the works he wrote for these occasions, his enormous fantasy and creative freedom truly shows. As an organ player, Buxtehude was widely famous. If you would listen to his Organ Preludes, you would quickly know why. Buxtehude manages to combine an unprecedented virtuosity with a large variety of styles and techniques. No wonder Bach traveled all that way to see him!


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